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Stunning Photography Archive Reveals the Post-War Streets of London's East End

Commercial Road, 1969
Commercial Road, 1969 | © David Granick

Step back in time and discover the post-war streets of London’s East End through previously unseen photographs by local photographer, David Granick (1912-1980) which are published by Hoxton Mini Press.

From Stepney to Whitechapel and through Spitalfields, David Granick, an East Ender all of his life, captured the vibrancy as well as the utter desecration of an area on the brink of social change.

His amazing archive of Kodachrome slides were acquired by Tower Hamlets Local History Library & Archives shortly after his death in the early 1980s and have been stored away, rarely seen until now.

It was another local photographer Chris Dorley-Brown, who has spent the last 20 years documenting the East End, who came across this remarkable record of London’s recent history on one of his visits to the archives. Fascinated by the slide film archive that revealed the area in the post-war years, which he had only seen in certain films, he set out to discover more about the creator.

Whitechapel Road, 1965

Unfortunately, Dorley-Brown didn’t manage to unearth much on Granick. His mother was probably a Russian Jew, while his father was possibly Irish. He was a Stepney resident his entire life, living on Clark Street, and years later with his younger sister in the Ockbrook flats in Hannibal Road.

Granick created this exquisite visual archive of Aldgate, Bow, Mile End, Poplar, Shadwell, Stepney and Whitechapel over a 20 year period, predominantly to illustrate talks and lectures he gave to the East London History Society.

Stifford Estate, Stepney Green, 1961

As Dorley-Brown asserts about the archive: ‘These cool, slightly detached and beautifully composed photographs invite us into a world that seems to be decomposing and fading, just like the material on which they are made.’

Gardiner’s Corner, 1963

Granick’s compelling photographs give London’s built environment a sense of place that isn’t so much about documenting something, but reminding future generations that something once existed.

Here, deserted streets, dilapidated houses, boarded up shops and closed dockyards take centre stage. Tradition and heritage cling on for dear life in the face of a burgeoning new London where demolition of the regeneration era weighs heavy.

Commercial Road, 1969

It’s architecture porn for the lover of nostalgia and the everyday.

Granick’s photography gives colour – thanks to the Kodachrome 64 film he used – to a period of sombre neglect. And for this he should be championed.

This is an archive that will no longer live in the shadows.

To coincide with the book’s release, and paying homage to Granick, Tower Hamlets Local History Library & Archives are exhibiting a selection of the photographs as Granick would have presented them, by using a carousel slide projector.

Brushfield Street, 1970
Watney Market, 1974
West India Docks, 1971
Spitalfields Market, 1973
Mile End Road, 1977
Belhaven Street, 1977
East End in Colour 1960-1980 published by Hoxton Mini Press

The East End in Colour: 1960-1980 by David Granick is published by Hoxton Mini Press, £16.95.
David Granick: The East End in colour, 1960-1980 is at Tower Hamlets Local History Library & Archives 277 Bancroft Road, E1 4DQ until May 5, 2018.
Want to see more photography of London? Here are the best photography shows to see this week.

About the author

Born in the heart of London, Freire's been surrounded by art since childhood. From being mesmerised by Fra Angelico's frescos in Florence to experiencing Dali­'s Mae West room in Caduceus, Freire's extensive travels instilled a love of the arts. After studying painting she worked for David Bowie's, Bowieart and began to write for the BBC, Bon and Dazed &amp Confused. She curated the Converse x Dazed Emerging Artists Award and was one of the first cohort to graduate from the Royal College of Art's Critical Writing in Art &amp Design MA. When not at an art opening, she's excited to bring her global art discoveries to the Culture Trip's readers.

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