10 Sculptures You Should Know By Antony Gormley

Sir Antony Gormley is a British sculptor whose works are concerned with space we occupy within and without our bodies. Gormley has placed his sculptures around the world in site-specific locations, as the location of a piece is as important as the piece itself. His interest in humans is both intimate and symbolic. This Turner Prize-winning sculptor might make you change not only the way you look at sculpture, but also the way you look at human bodies.

Angel of the North

Built in 1998, the Angel of the North is a majestic, giant figure of an angel placed in Gateshead, near the A1. Being the longest numbered road in the UK, the A1 connects London with Edinburgh. Dominating the skyline, this 20-metre tall sculpture with a 54-metre wide wingspan is seen by approximately 90,000 drivers each day, plus 150,000 visitors who come to experience being in the presence of the Angel. The 200-tonnes of corten steel is placed in the north-east part of the UK to celebrate and commemorate the coal mine workers who for 300 years worked in mines underneath the surface of the region in which the sculpture stands.

Durham R oa d, Low Eighton, Gateshead, Tyne and Wear NE9 6AA

1. Sound II

Cathedral

This life-size statue is placed in the crypt of the Winchester Cathedral, one of the largest cathedrals in England. It is probably the most mysterious sculpture by Antony Gormley. During rainy months the crypt floods and the floodwater combined with dull light creates a wonderful effect. The cast is taken from the artist’s own body. The lonely figure contemplates the water held in his palms and this gesture of the figure and its placement in the cathedral makes it transcendental, and spiritual, even though it is not directly related to religion.

Sculpture for Derry Walls

Antony Gormley does not shy away from political issues. In 1987, he installed a 3-part sculpture in the city of Derry in Northern Ireland. In the midst of the religious conflict, Gormley selected three spots along the Derry Walls; particular locations at important points overlooking either side of the wall. Each part of the sculpture consists of identical iron-cast figures positioned back-to-back with each other. They hold a crucifixion posture, signifying Christianity. Looking through the open eyes of one figure, you could see out through the eyes of the other. The two bodies joined into one represent Derry’s two dominant communities, divided by their religious and political beliefs, but connected by their Christianity and location.
This sculpture is currently not on display

Field

Field is a product of the earth. Made out of clay, it is also a result of collective fabrication. The simple, little figures were produced in four different locations in the world, by local men, women and children, using local material. The installation grew bigger and more powerful each time it travelled, currently containing 210,000 bodies. Gormley’s incentive was straightforward: produce a number of little figures and bring them to life by giving them eyes, so they can look back at us. They have no mouths, so they only look at us, and one cannot help but feel as though they are being judged by the silent army, which takes over an entire exhibition space.

This sculpture is currently not on display

Breathing Room

Breathing Room is an installation that focuses on the idea that human beings are the only creatures inhabiting constructed environments. Although there are three versions of this installation, the geometrical architecture of all the pieces resemble a drawing in space. However, it’s neither architecture nor an architectural drawing. In the third version, Breathing Room III from 2010, the edges of the construction are built from a luminescent material, which when the gallery lights go off, create a feeling of the matrix. Once again, the artist invites us to discover the sometimes-challenging relation between our bodies and the space they occupy.
This sculpture is currently not on display
By Dominika Cecot