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After a Dramatic Exhumation, the Results of Dalí's Paternity Test Are In

Salvador Dali with Babou, the ocelot and cane
Salvador Dali with Babou, the ocelot and cane | © Roger Higgins/World Telegram/WikiCommons

Salvador Dalí garnered significant press this summer for a surreal lawsuit involving the artist’s dead body and a psychic claiming to be his long-lost daughter.

Portrait of Salvador Dali, taken in Hôtel Meurice, Paris

It’s finally been announced that Pilar Abel Martínez, a tarot card reader who sued the Spanish state and the Gala-Salvador Dalí Foundation in 2015, bears no relation to the artist.

“The Court of First Instance no. 11, in Madrid, has ruled out Pilar Abel Martínez’s claim to be descended from the artist, based on DNA samples from her and from the artist, analyzed by the National Institute of Toxicology and Forensic Sciences,” artnet News reported.

Much to the dismay of the artist’s foundation, Dalí’s body was exhumed in July so that forensic scientists could collect bone, hair, and nail samples to end the drawn-out court battle. Abel Martínez was claiming that the artist had an affair with her mother in 1955, though a previous DNA test conducted with Dalí’s death mask had proven inconclusive.

“This conclusion comes as no surprise to the Foundation, since at no time has there been any evidence of the veracity of an alleged paternity,” the Gala-Salvador Dalí Foundation said in a press release. “The Foundation is pleased that this report puts an end to an absurd and artificial controversy.”

Had the paternity test proven otherwise, Abel Martínez would have been entitled to over $330 million of the artist’s estate.

Dalí’s remains are due to be returned shortly, closing the book on one of the year’s more bizarre narratives.

About the author

After four years studying in Scotland, Rachel traded Edinburgh's gothic splendors for the modern grandeur of her hometown. Based in New York City as Culture Trip's Art and Design Editor, she's traveled on assignment from Art Basel Miami Beach to the Venice Biennale, jumping on cutting-edge industry news and immersing herself in feature stories. Her anthropological background continues to support a keen fascination with the social, cultural, and political significance of art.

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