The Stunning Locations Used to Bring 'Wonder Woman' to Life

The team behind the film, led by director Patty Jenkins, were keen to find the perfect starting point for the movie. The most difficult challenge was bringing to the screen a world steeped in Greek mythology. Diana (Gadot) is brought up on the isolated paradise island of Themyscira by a group of Amazonian warriors. Her mother, Queen Hippolyta (Connie Nielsen) is determined to protect the precocious youngster from the wars of the world outside, however Diana’s aunt (Robin Wright) feels like the only way to protect their home is to train her niece.

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Instead of Greece, she and her team found inspiration off the coast of Italy. The brief was to find a location that was able to convey the majesty of Themyscira with a sense of wonder, akin to the ancient world of The Hanging Gardens of Babylon. The remote island had to look exotic, yet with a sense of tranquility. In addition, the location team had to incorporate a vast beach to be used for a pivotal battle at the climax of the first act of the movie.

Production designer Aline Bonetto explains what she was looking for: ‘It’s a beautiful vista with a coastal landscape, but not the kind you think of for your holiday. It’s still wild, rocky, green… Problem was, all the beautiful beaches in the world that sit below big cliffs disappear beneath the tide, so for a part of every day you have no beach. And we were shooting in March, which in Europe is still cold.’

The process of finding the perfect inspiration for Themyscira involved researching 47 different nations and visiting several of them. Ultimately it was the stunning Amalfi Coast that proved to be the winner.

‘Italy had beautiful weather, a beautiful blue-green sea, not too much tide, not too much wave. Our effects team added some cliffs in post, and it was the perfect way to go,’ Bonetto adds.

Other locations used in the film include the cheerfully titled ‘Happy Village’ and Castel Del Monte, both in Italy.

‘Wonder Woman is a travel film,’ Richard Suckle, producer of the DC universe films for Warner Bros. says, ‘in the sense that you go from this visually stunning paradise with its ancient Greek culture to early 20th-century London, a society pushed along by invention and enterprise and business, to war-torn Belgium. And we’re seeing it all through Diana’s eyes, experiencing it right along with her.’

The tonal shift in visuals is obvious. The drab browns and greys of a war-torn city are the direct opposite of Diana’s home, and as such they help portray the inevitable sense of a character out of her comfort zone. With her striking looks, determination to stop evil and less-than-conservative outfit choices, Gadot’s character also sticks out against the backdrop.

In an attempt to help her fit in more, Steve Trevor (Chris Pine) and his secretary Etta Candy (Lucy Davis) take their new friend shopping at Selfridges. ‘We used the exterior of Victoria House in Bloomsbury Square,’ says Bonetto. ‘And the interior was Australia House. It is a grand building but not too heavily decorated, quite beautiful and pure. That had to be our Selfridges.’

Similarly, the train station in the film is meant to be Paddington, but following extensive renovation for the 2012 Olympics, it was King’s Cross that was shut down for two days and turned into a 1918 steam engine departure point.

The first location we see in the film is modern day Paris. Diana is working here and receives a message from a close friend that triggers her memories. This serves as the plot device that bookends the movie, and seeing gadgets surrounded by ancient artefacts seems utterly compelling in the French capital.

Wonder Woman is on general release now