A Tour of Bernini's Masterpieces in Rome

Inside, the main altar is covered by Bernini’s spectacular bronze and gold baldacchino,which at 29 metres high stands proudly beneath Michelangelo’s enormous dome. Under the orders of Pope Urban VIII Barberini, the bronze for the sculpture was obtained by melting down decorations from the Pantheon.

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At the back of the church, Bernini was also responsible for the decoration around the Chair of St Peter, another elaborate work in bronze, and to the rear left is the celebrated Monument to Alexander VII which depicts not only the pope but a bronze skeleton with an hourglass, reminding the viewer of the fleeting nature of time. Other works in St Peter’s include the Tomb of Urban VIII and the statue of St Longinus, both of which show Bernini’s mastery in marble and bronze.

The piazza in front of the charming church of Santa Maria Sopra Minerva, situated near the Pantheon, is home to the so-called ‘Bernini Elephant’, sculpted as the base of an Egyptian obelisk which was discovered in the area. The meaning of the image is unknown but existing plans for the monument show various designs by Bernini, before he eventually settled on a benevolent face for the elephant. Inside the church there is another Bernini work, the Monument to Maria Raggi, a nun who lived nearby. The monument is attached to a pillar along the nave and was a revolutionary style of sepulchral monument with its flowing drapes of gold and bronze.

Bernini’s Fountain of the Four Rivers is one of his most famous works and it is found in pride of place in the centre of Piazza Navona. Built to support the obelisk (a Roman imitation of the Egyptian obelisks), the immense sculpture combines rocks, plants and trees interspersed on each corner by figurative representations of the major rivers in the four discovered continents at the time: the Ganges, the Nile, the Danube and the Plate. Bernini studied the flow of the water through the fountain, adding sea creatures to create a gushing noises. The imposing monument was created in direct competition with Bernini’s great rival Borromini who designed the façade of the church Sant’ Agnese which stands before the fountain. Indeed, legend says that the figure of the Danube is covering his eyes as a symbol of Bernini’s disdain.

The Borghese Gallery hosts a number of Bernini’s most famous sculptures, many of which were undertaken at the beginning of his career. The elegant villa of his patron Cardinal Scipione Borghese is a delightful backdrop to such stunning works as The Rape of Proserpine, Apollo and Daphne, and David, and the intimate layout and restricted number of tickets mean that visitors can get close enough to study the amazing way in which Bernini conjured softness and movement in the marble.

The church of Santa Maria della Vittoria is situated a short walk from Piazza della Repubblica and its Coronaro Chapel is home to Bernini’s breathtaking Ecstasy of St Teresa.A perfect example of the way Bernini combined sculpture and architecture, it depicts the rapture of St Teresa of Avila at the moment when an angel pierces her heart with the golden arrow of divine love. The billowing robes and the golden light are typical of the artist’s fusion of marble and gilt.