A collaboration with Irish musician Damien Dempsey on the They Are Us project in 2010, they filled run down alleyways and unexpected spots throughout Dublin with inspiring graffiti. The initiative raised funds for the homeless, and saw Maser run spray-painting classes for offenders at Dublin’s Mountjoy prison.
The artist updated his U Are Alive mural on Camden Street with rainbow colours in support of the vote to legalise same-sex marriage in Ireland in 2015.
At the 2015 Unexpected festival in Fort Smith, Arkansas, Maser completed a mural in memory of William Darby, a US army officer who was sent to Northern Ireland at the beginning of World War II and created the elite military unit known as Darby’s Rangers. Darby was killed in action in Italy in 1945, two days before German forces surrendered there.
This installation at Mixed Munich Arts nightclub was intended to convey the idea that ‘light is hope.’
Maser created a colourful stage for the 2015 Web Summit in Dublin.
This piece was created and auctioned for the Jack & Jill Foundation, an Irish charity dedicated to helping young children with brain damage and intellectual and physical developmental problems.
His two-story Higher Ground project at Sydney Festival 2015 focused on ‘converging architecture and geometry on a grand scale.’
As part of the year of Irish Design (ID2015), this unique bus wrap was created by Maser for Expressway intercity buses in Ireland.
Last but not least, his popular Repeal the 8th mural at the Project Arts Centre in Temple Bar – which was controversially removed on the orders of the Dublin City Council – just got Maser the coveted cover of the autumn 2016 edition of the quarterly Irish Arts Review.