It’s strange – in fact completely contradictory, that Walker’s work as a fashion photographer is not about advertising clothes. But this is much the case and is very apparent in his surreal, Alice-in-Wonderland-like images. It is the eerie settings – whether a floating tea party in a shadowy forest or a ghostly, derelict doll’s house, along with a bizarre and fascinating array of props, that immediately captures the attention of the beholder. The clothes are merely a contributing feature, more like costumes for the characters in stories he is telling.
For that is what Walker is first and foremost – a story-teller. His often frustratingly elusive images offer only tantalising insights into the profound narrative and complex concept behind each of his shoots, which are left very much to the viewer’s interpretation. Despite often being loaded with familiar cultural references and literary allusions – a broken humpy-dumpy, an anthropomorphised rabbit, lions, swans and doll-like puppets for example – their connotations are never quite made clear and leave you utterly enthralled yet completely bewildered and sometimes even a little frightened.
Walker was born in England in 1970. After graduating from Exeter College of Art with a degree in photography, he began working as a photographer’s assistant first in London, then New York. At the young age of 25, he staged his first shoot for Vogue with whom he continues to collaborate, along with almost every other renowned sartorial publication including W, I-D and Love for whom he has photographed Kate Moss, Lily Cole and Tilda Swinton to name just a few.
His books include Pictures, Story Teller and The Granny Alphabet. The legendary Brit is now venturing into the realm of moving film too.
Whatever Tim Walker does next, he is sure to imbue with a touch of magic and copious amounts of beauty.
By Hannah Bergin