An Insider's Guide to the Best Art Museums and Galleries in Kyoto

Each of the pieces at Robert Yellin Yakimono Gallery is unique. “There are stories behind every one of these and the person who made them. You can sense their heartbeat,” Yellin says. Although the ceramics on display are stunning enough to be purely decorative objects, Yellin stresses that they are made for practical use as well. “Yonobi is an expression meaning to bring out the beauty by using it. Like that dish right there… it’s a platter, but you put one cherry tomato on it and it becomes still art. So yonobi is to use something because that’s the function of the piece and without using it as its function intended, you’re losing the inherent essence of the work.” Yellin encourages visitors to hold the pieces on display, to feel the textures and contours of the ceramics rather than simply looking at them. “They’re meant to be held, they’re meant to be used… The energy in ceramic art is very vital and the more you hold it the more rooted you become. I want people to [hold the art] and if it breaks, it breaks… it’s just like us, it’s fragile but beautiful… that’s the fate of a piece, just like everybody has their own destiny.” Robert doesn’t keep regular hours; contact him via his website to visit the gallery.

Gallery Utsuwakan exhibits and sells the work of contemporary ceramic artists and is a must-visit for anyone interested in the world of modern Japanese pottery. Yellin recommends a visit to Utsuwakan, saying, “they have lots of more functional work but they do exhibitions of radical artists as well.” The gallery opened in 1984 in an area in the northwest of Kyoto known as Murasakino, about a 20-minute walk from both Kinkaku-ji Temple and Kitano Tenmangu Shrine. The gallery has four floors: the first two are used as commercial space, where you can buy ceramics by Japanese artisans; while the top two floors comprise the gallery, where both solo and group exhibitions are held monthly.

Containing antiques dating all the way back to the 15th century, The Kura/MJC Gallery appeals to both serious collectors and curious hobbyists. It’s located in the west of Kyoto a 20-minute walk from Kinkaku-ji Temple. The gallery is run by Robert Mangold, an American who became interested in Japanese furniture, art and antiques while working as a carpenter when he first came to Japan in the 1990s. After a great deal of research on the topic, he became one of the most knowledgeable foreign antique dealers in the country. Yellin says, “he deals with anything you can imagine: Japanese armour, Samurai armour, wood sculptures, Buddhist sculptures, glass paintings, hanging scrolls… he’s a true kobijitsusho, an antique dealer.” Book ahead for an appointment; Mangold doesn’t keep regular business hours. You can browse the antiques for sale on Mangold’s regularly updated website, The Kura, named for the huge vaults in which Japanese lords and merchants once kept their treasure.

This gallery and shop exhibits Japanese art and artifacts dating from the Meiji and Taisho eras to the beginning of the Showa era – essentially from the end of the 19th century to the mid-20th century. The art displayed here lends the viewer physical evidence of the expansive changes that occurred in Japanese art over the course of the 20th century, when artists were influenced by the West yet managed to retain a particular Japanese aesthetic. Owner Shinya Okunishi’s collection is incredibly diverse, from ink paintings and ceramics to cloisonné and pieces made from lacquer, metal and bamboo. The intimate interior features both a tatami space and an interior garden, adding to the authentic ambience. Of Okunishi, Yellin says, “he’s got a great eye for 20th-century art; it’s a small shop but it’s always full of high-quality art.”

Imura is in a stark white, modern building a short walk from Heian Shrine in the Okazaki area of eastern Kyoto. This commercial gallery’s reputation precedes it: Imura has shown work by such famed artists as abstract sculptor Masaomi Raku and photographer Yoshihiro Tatsuki. Opened in 1990 by director Yuzo Imura, this gallery features contemporary art with a focus on new and local artists, particularly those who connect the traditional with the modern. Imura, who is active in Japan’s art scene and has served on the committees of art fairs in both Tokyo and Kyoto, opened the gallery with the aim to expand local knowledge about contemporary art. Exhibits feature a range of mediums, including painting, photography, ceramics and sculpture. Previous collections on display have included the work of artist Masaharu Sato (1973-2019). Sato created unique works by using a digital pen to trace over quotidian scenes from photographs and video. The disconnect between the two mediums offers the viewer a new perspective, challenging the eye’s interpretation of what is real and what is fabricated.

This commercial space just 10 minutes from Imura Gallery in Okazaki was opened by Yuichi Mori in 2001. Mori Yu aims to represent artists who possess a singular voice uninfluenced by current trends, and who reference traditional Japanese art in their work while maintaining a contemporary flair. The result is work that is both innovative and timeless. The gallery represents established and emerging artists in a number of mediums, from painting to sculpture. Mori Yu has a permanent collection as well as exhibitions that change throughout the year. Its most recent exhibition was In a Square, an exhibition of Japanese painter Hitoshi Koyanagi’s abstract work that played with the traditional theme of landscape painting by exploring “unnatural nature”. Mori Yu has participated in numerous art fairs, most recently at Art Osaka, Art Nagoya and One Art Taipei in 2019. It has a sister gallery located in 3331 Arts Chiyoda in Tokyo.

Formerly the Kyoto Municipal Museum of Art, which has been a major public art museum since 1933, the Kyoto City Kyocera Museum of Art is the result of a rebranding scheduled to open in spring 2020. Located in the heart of the Okazaki district, it’s sandwiched between the MoMAK, the Kyoto Zoo and Okazaki Park. The renovated museum will open with an inaugural exhibition comprising an extensive collection of art from Kyoto. It will include a large amount of work from both the museum’s permanent collection and from other museums across Japan, including Nihon-ga (Japanese-style painting), sculpture, calligraphy and crafts. The museum will have a brand new contemporary wing, the Higashiyama Cube; its first exhibit will be Post Vitam, a commemorative exhibition of Japanese photographer Hiroshi Sugimoto, who is internationally acclaimed for his conceptual photography.