Galleria Continua was founded in 1990 by Mario Cristiani, Lorenzo Fiaschi, and Maurizio Rigillo. Originally housed in an old cinema in the historical town of San Gimignano, Italy, the gallery’s unconventional location fostered its quirky reputation, which garnered international attention and subsequent acclaim. Embracing its re-purposed setting, the gallery’s mission was and remains to create a dialogue between tradition and progress; history and the future. In 2005, Galleria Continua launched a new exhibition space in Beijing, and another in Le Moulin, France in 2007. Beijing’s inaugural show exhibited 16 artists from five continents, significant for being one of the first Chinese initiatives by a Western gallery. Thus Galleria Continua merged Eastern and Western audiences at a time when this convergence was still uncommon. The gallery’s three-storey space continues to exhibit Italian and international contemporary art, each exhibition uniquely devised and tailor-made for the space by the artist.
Platform China serves as a dynamic exhibition space that showcases experimental work, cutting-edge art forms, new media, and installation art. Founded in 2005, Platform China has since established five international residency studios, encouraging an open exchange between Chinese and international artists through shows, events, publications, and art projects. Platform China retains its mission to discover and promote new Chinese talent, providing a much-needed platform for experimentation and development. In 2012, a new space was opened in Hong Kong.
Situated down an unassuming hutong (old alleyway) behind the Beijing Temple of Confucius, this small exhibition space is one of the city’s most innovative galleries. Founded in 2008 by Rania Ho and Wang Wei, Arrow Factory is a world away from its neighbors; this 15-square-meter space is a transformed vegetable stand. Designed to be viewed from the outside looking in, Arrow Factory hosts site-specific installations by local and international artists, day and night. A brilliant response to Beijing’s over-commercialization, Arrow Factory is nothing short of a modest set-up that is undoubtedly worth the detour.
Established in 2008, Pace Beijing continues the powerhouse gallery’s mission to exhibit the post-war era’s most talented, significant, and influential contemporary artists. Pace Beijing is dedicated to promoting contemporary art through groundbreaking exhibitions by the industry’s biggest names: Zhang Xiaogang, Jeff Koons, and Takashi Murakami, to name a few. This international gallery explores the relationship between art and contemporary Chinese culture from within a 1950s factory space renovated by New York City-based architect Richard Gluckman.
Located up a quiet road in the vibrant Caochangdi art district, Three Shadows Photography Art Centre is Beijing’s premiere photography venue and the first of its kind in China to be exclusively dedicated to contemporary photography and video art practices. Launched in 2007 by a husband-and-wife duo who are photographers by trade, the center hosts landmark exhibitions by a selection of talented Chinese and international photographers. The complex, which was designed by acclaimed contemporary artist Ai Weiwei, features 880 square-meters of gallery space, a library, café, darkrooms, production studios, and spaces for workshops and artists-in-residence. The main center operates as a non-profit organization, but their +3 Gallery branch serves as their commercial venture.
Launched in 2004, Beijing Art Now Gallery is located inside the former Beijing Workers’ Stadium. In 2007, the gallery opened a second location in Shanghai’s M50 art district. The gallery’s primary mission is to support Chinese contemporary art in China, and to preserve it within the context of a global art history. To that end, BANG has collaborated with institutions from France, Germany, and Japan, amongst others, and exhibited at numerous art fairs such as Art Basel and the Bologna Art Fair. Exhibitions typically showcase the best of China’s avant-garde artists, including Zhang Fazhi, Wang Mai, and Qin Qi. Overlooking a lake, the space outside of the gallery is equally picturesque.
Pékin Fine Arts was established by 20 plus-year Beijing resident Meg Maggio, who also co-founded the now defunct but then-trailblazing CourtYard Gallery. Established in 2005, Pékin Fine Arts carries on in the same vein, exhibiting the most innovative Asian artists in solo shows and through collaborations with overseas galleries. Pékin Fine Arts was named one of the top galleries in Beijing by The New York Times, and one of the top ten places to buy Chinese art in Beijing by Forbes.The gallery’s exhibition space was designed by Ai Weiwei, who’s had a hand in several of the most prominent spaces in Caochangdi.
The Red Gate Gallery is situated atop the magnificent 16th century Dongbianmen Watchtower, occupying a prominent position in the city’s cultural landscape as one of its first private contemporary galleries. It was opened in 1991 by Australian-born Brian Wallace, who’s been involved in the city’s burgeoning art scene since his arrival as a student in the 1980s. With a world-renowned reputation for showcasing the best emerging local and international artists with up to eight solo shows per year alongside a strong residency program, Red Gate continues to shape the city’s artistic identity.