In contrast to the celebratory original produced during the heady years of decolonization, Baloji’s version is edgy and critical of his nation’s progress:
“j’ai repris cette chanson fédératrice
symbole de la crédulité de nos prémices
entre indépendance et armistice
mais pour que nos démocraties progressent
faut qu’elle apprennent de leurs erreurs de jeunesse
mon pays est un continent émergent
bâti en moins de 50 ans”
Baloji’s work is indicative of a broader trend among African artists and intellectuals, who are critically reflecting upon the promises and hopes of independence as they rethink what citizenship means in the twenty-first century.
Here is the original ‘Independence Cha Cha,’ first recorded in 1960 by ‘Le Grand Kalle’ Joseph Kabasele and the group African Jazz.
This article was published in partnership with The Africa Collective, a broad collaboration between scholars, bloggers, and activists, who do research, write, and speak about Africa.