Architectural Masterpieces in Florence

Filippo Brunelleschi’s breathtaking cathedral proudly holds the title of the largest Duomo in Italy. In fact, it is so big that it took 140 years to finish. Florentine architects started planning the colossal structure in 1294, but the engineering technology needed to support such a project hadn’t yet been developed. Construction began anyway, but had to stop in the middle, leaving the cathedral domeless for nearly 124 years; that is until Brunelleschi won a competition against his life-long rival Lorenzo Ghiberti and devised an ingenious plan that would make the construction of the enormous dome possible. It was finally completed in 1436; its facade underwent a series of restorations and additions in the 1870s and is continually being maintained.

The original structure of this church is one of the oldest in Florence – this is visible in its untouched, bare stone facade. The Basilica was the parish church of the wealthy Medici family throughout the Renaissance, and in the early 1400s Giovanni de Bicci de’ Medici commissioned a new church (originally designed by Filippo Brunelleschi) that has since been altered and changed by a number of different artists. Perhaps the most famous additions were the New Sacristy by Michelangelo Buonarotti and the Medici Chapel, which was added much later. The Basilica of San Lorenzo boasts some of the most impressive examples of Renaissance architecture in its symmetry and harmony. Michelangelo’s New Sacristy is a perfect example of the innovative, modern, almost Mannerist style of architecture that was becoming more popular in the 1520s.

The Santa Maria Novella Church is one of the oldest Basilicas of the Dominican Order in Florence, dating back to the late Middle Ages. It started off as being built in the Gothic style, which was popular during the 13th century. The main structure was completed, but the façade was left unfinished; nearly 200 years later, Leone Battista Alberti designed the inlaid black and white marble façade, adding elements of architecture of the Antiquity that would soon dominate Renaissance architecture such as Romanesque columns, arches and pediments. Today, the Santa Maria Novella Church is situated right next to the main train station under the same name, and it is home to Masaccio’s masterpiece The Holy Trinity.

The Palazzo Vecchio, or the ‘old palace’, is the town hall of Florence, and is one of the most impressive in Tuscany. It was built as a fortress-palace in 1299 during a time of political turmoil; its monumental structure and gothic-Romanesque bell tower are supposed to show off the Florentine Republic’s strength and power and to intimidate any potential enemies. On the front of the palace are the shields and emblems of the most influential and important worker’s guilds in Florence, representing the diversity and wealth of the Florentine Republic. Located in the Piazza della Signoria next to the Loggia dei Lanzi, the Palazzo Vecchio has remained both politically and artistically important throughout the history of the city, at one point housing the study of Niccolo Machiavelli.

Started in 1255, the Bargello is similar in style to the Palazzo Vecchio with its weighty fortress-like base and tall slender bell tower. It too was originally built as a civil building to house the City Commune of Florence and is the oldest public building in Florence. In the late 16th century, the Medici family turned the Bargello into a police headquarters and prison, which it remained until 1859 when it was turned into an art museum. Today it houses some of the most important statues and sculptures from both the Antiquity and the Renaissance, including Michelangelo’s Bacchus and Donatello’s David.

The basilica of Santa Croce is the largest Franciscan Church in the world, and it houses an impressive 16 different chapels. For a while it was the rival Church of the Dominican Santa Maria Novella, and it was very popular amongst the poorer peasants of Florence during the late middle ages. Many of the most influential and culturally important Florentines and Italians have memorial monuments in the Santa Croce Basilica including Dante, Galileo Galilei, Machiavelli and Michelangelo. The façade of the Church was greatly damaged during the devastating 1966 flood, but it has since been restored and its inlaid marble façade from the 19th century is still quite remarkable.

The Basilica of Santo Spirito is also an example of Renaissance architecture, though unlike Santa Maria Novella or Santa Croce, the façade of Santo Spirito was left bare, without decoration of marble and sculpture. Today it is painted completely white and it has a modest, almost angelic quality to its plain exterior. The interior houses a number of frescoes in it’s many side-chapels as well as Michelangelo’s wooden crucifix. When Michelangelo was 17, he was given permission to make studies of the bodies coming from the hospital, even though this practice was illegal, and so he based this tiny wooden figurine of Christ on his anatomical, true-to-life drawings.

The Ponte Vecchio is the oldest bridge in Florence; traces of a bridge at the same point (the narrowest) of the Arno River date as far back as Roman times. Quaint, colourful shops along the bridge poke out precariously over the water and make this bridge so unique. It is also the only bridge in Florence that survived the bombings of WWII.

The Piazza della Republica is one of Florence’s newer architectural monuments. Among a city of Renaissance architecture, this large and spacious square definitely stands out. The site of the square was previously a Jewish ghetto, dating back to medieval Florence. Shortly after the unification, Florence was briefly named capital of Italy, and it was during this time that Florence underwent a series of modernizations. Following the model set by Haussmann’s renovation of Paris in the 1880s-1890s, the Piazza della Republica was built to evoke the ‘modern’ European city, with open spaces, large neoclassical arches and patriotic statues to embrace Italy’s newfound independence.