Bienal: What to Know About Brazil's Most Popular Art & Film Extravanganza

Founded by Ciccillo Matarazzo, an Italian-Brazilian industrialist, the first Bienal was held in 1951 at the Museum of Modern Art in São Paulo. Since the fourth edition in 1957, the event was held at the Ciccillo Matarazzo Pavilion in Ibirapuera Park, a three-story structure with a 30,000-square-meter (323,000-square-foot) exhibition space designed by Oscar Niemeyer and Hélio Uchoa. It has become the main venue for all future editions.

The event continued to grow, with more international artists displaying foreign works alongside local exhibitions. By the sixth edition, Bienal was considered one of the most important art exhibitions in South America and a prestigious platform for exhibiting both Brazilian and international contemporary art. To help organize such a huge and significant event, the Bienal of São Paulo Foundation was set up and has been at the forefront of creating a bridge between the public and different artistic expressions from around the world.

The event has had 32 editions, with its 33rd starting on September 7, 2018. One of the most important and symbolic editions was the 10th Bienal in 1969, five years after the military dictatorship was established in Brazil. The new Brazilian government brought forward a law, known as the Institutional Act Number Five, which handed all power to the dictatorship. Dozens of artists, among them Roberto Burle Marx and Hélio Oiticica, refused to participate in the Bienal art event as a way of using its global status to elevate their objection to the new regime. Other artists from different countries, such as the Soviet Union and France, declined to support the exhibition that year due to the censorship on art imposed by the Brazilian dictatorship.

The last edition’s theme in 2016 was “Live Uncertainty,” which explored the concepts of uncertainty and fear present in modern lives, where everything is a journey and full of quick and large changes. This year has a guiding principle rather than a theme. The idea is “Affective Affinities,” which pairs Goethe’s concept of Elective Affinities (1809) with Mário Pedrosa’s theory from “On the Affective Nature of Form in the Work of Art” (1949). This year, the event encourages artists to explore artistic and cultural affinities and links, and how various influences are elemental to the artistic process. Pedrosa was a Brazilian politician and art critic, and is credited with playing an important role in the development of modern thought in Brazil.

With this year’s event focusing on experience and discovery, rather than discourse and themes, the 33rd edition of Bienal of São Paulo will be a fascinating event providing plenty of room for artistic creation. Highlights to look forward to include seven group shows organized by seven artist-curators, and 12 individual art projects as selected by the chief curator, Gabriel Pérez-Barreiro. The exhibitions are open to the public and can be followed through Bienal de São Paulo’s website or Facebook page.