Bushwick’s multifaceted entertainment venue, House of Yes, is an ode to the folkloric New York—the one defined by artists, theatrical club kids and underground counter cultures, before the homogenizing effects of gentrification altered the soul of the city.
A stone’s throw from the Jefferson Street L train, on a nondescript block lined with Bushwick warehouses, is a turquoise building displaying the word “YES” in letters 10ft tall. Venture through the doors and it’s immediately clear, this is not your average, soulless nightclub.
Two giant mechanical eyes mounted on the wall bat their lashes at the packed bar. The corridor leading to the restrooms (labelled “stalls” and “urinals” rather than being assigned a specific gender) is tiled in mirrors, like a giant disco ball, and the toilets themselves look like they could have been created by Gaudi. In the main dance room, performers gyrate on bar tops and raised platforms, some twirl on hoops and silks suspended above the crowd. Everybody—performers and revelers alike—is attired in intricate carnival-esque costumes that belie New York’s predilection for black.
The is the third incarnation of House of Yes—a venue that brings themed party nights like this one under the same roof as immersive cinema, deep house yoga, roller discos, voguing competitions, and theatre (Ketamine: The Musical was particularly noteworthy). The first venue—a squat with a rotating assemblage of live-in artists—burnt to the ground, only to be revived at a new location, and then another, with assistance from a loyal and dedicated community.
We caught up with House of Yes co-founders Kae Burke and Anya Sapozhnikova to find out how they’ve created a space that represents inclusivity, collaboration, and self-expression in that old New York way.
Culture Trip: Firstly, what have you learned about the power of saying “yes” since this journey began?
Kae and Anya: Before you say “yes” you need to listen to your gut and know if you should say “yes.” It gets to a point where taking every opportunity is just not the best use of those finite resources: time and energy. Think and feel before you “YES,” but also, be open to improvisation and unexpected opportunities!
CT: Tell us about your community—how did you assemble the performers and artists who now call House of Yes home?
K&A: We don’t find them; they find us. We are organically gathered by the connection as collaborators. Some performers end up at House of Yes by accident and just never leave because they are finally home. Sometimes we go out and see shows and find the most mind-blowing entertainment elsewhere and then ask them if they want to make art with us.
CT: Events at House of Yes are so varied. How do you decide what makes it onto the schedule?
K&A: It’s a combination of what inspires us as individuals and artists, what we want to see in the world, and what we think will sell tickets. What keeps us fresh and funky is that we take risks and we’re down to make weird art and sometimes make mistakes. In the process, we end up having strokes of genius and finding incredible events. Every time we try something really provocative, risky or new to us and the audience loves it, it’s the best feeling in the world!
CT: Consent is something you stress on the site and at the door. Why did it feel like that rule needed to be made explicit?
K&A: We do it because it’s important and the world needs to understand consent on a deeper, larger scale. We’re a women-founded space in a nightlife industry, most of our staff is female-identifying, and we give a fuck about our audience. Our space is inherently sexy, we like to push the boundaries in our art, but that shouldn’t translate into a free-for-all on the dance floor. As people and as a space, it was just right to take consent seriously for ourselves and our audience, because the safer we are, the sexier we feel.
CT: House of Yes has transitioned through several locations and a devastating fire. What important lessons did you learn through these transitions?
K&A: I’ve learned way too many, our whole cast of characters has, and of course I’m going to write a book someday. Honestly, it’s such an old saying but it’s so true: it’s not what you know, its who you know, so be good to people. Make friends, help others, and they will have your back when you need it. Volunteer, make connections, be honest, and work your ass off.