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LAMAG | © Juliet Bennett Rylah
LAMAG | © Juliet Bennett Rylah

COLA 20 Celebrates 20 Years of Grant-Funded Art

Picture of Juliet Bennett Rylah
Updated: 17 May 2017

COLA 20, now on display at the Los Angeles Municipal Art Gallery (LAMAG), celebrates the 271 pieces that have been created over the past 20 years thanks to individual grants awarded to a diverse selection of artists by the City of Los Angeles Department of Cultural Affairs.

LAMAG, founded in 1954, has been in its current building since 1970. Located atop Barnsdall Art Park, it keeps good company in the historic Hollyhock House, built in 1921 by architect Frank Lloyd Wright for oil heiress Aline Barnsdall. The park boasts sweeping views of the city and is a popular spot for picnicking, dog walking, dates and soaking up the sun. Yet the cultural relevancy of LAMAG is just as important as the splendor of nature.

LAMAG acts as the exhibition space for the City of Los Angeles Department of Cultural Affairs (DCA) and hosts about a half-dozen exhibits each year. One particular exhibit showcases the work of a group of artists who received DCA grants, giving them the freedom to create new work. According to a release from the gallery, Los Angeles is only one of a handful of cities that regularly awards significant grantsas much as $10,000to individual artists. These grants have been doled out annually since 1997, making the program 20 years old this year.

COLA in 2009 | © Juliet Bennett Rylah

Through July 2, 2017, guests to LAMAG will get to view a retrospective that highlights all the amazing cultural contributions the program has facilitated. A separate area of wall space has been dedicated to each year, showcasing the artists, pieces and media buzz surrounding that year’s show. 

Select pieces are highlighted and displayed in full and include 11 pieces created by artists who have since died. One such work is photographer Willie Robert Middlebrook Jr.’s “In ‘His’ Own Image” (1992). Middlebrook, who died in 2012, captured black life in L.A. using portraits in a way that he hoped would change the public perception of his community. 

“I’m a black man in America—a large, dark, black man with dreads—and I’ve never robbed, beaten or stolen,” Middlebrook once told the L.A. Times. “I’ve never been to jail, and if you put drugs in front of me, I probably wouldn’t know what to do with them. And I know a lot of black folk like me. These are the kinds of images that need to be seen.”

Norman Yonemoto and his twin brother, Bruce Yonemoto, created the video installation “Framed,” which depicts the life of Japanese Americans incarcerated in internment camps during WWII. The Yonemotos’ mother had been held in one such camp in Northern California. Norman Yonemoto died in 2014.

In observance of today's #AnnualManzinarPilgrimage, we commemorate Bruce and Norman Yonemoto's video installation "FRAMED". Twin brothers, Bruce and Norman were born and raised in California in the wake of World War II to a family of Japanese decent. Their work faces complexities of national identity and history through the visual language of Hollywood movies. "FRAMED"(1998) incorporates slide projection to re-examine film produced by the War Relocation Authority in the U.S. internment camps. Courtesy of the Long Beach of Art Video Archive, Research Library , The Getty Research Institute. Transferred by the Long Beach Museum of Art Foundation and the City of Long Beach, 2005. Special thank you to John Campbell and Peter Kirby. The Manzinar pilgrimage held every year on the last Saturday of April, commemorates the unjust imprisonment of over 110,000 Americans of Japanese ancestry in ten American internment camps, located in the most desolate, isolated regions of the United States. Manzanar was the first of these camps to be established. #LAMAGALLERY #COLA20th #RememberManzinar #Yonemoto

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Michael Brewster was an artist who specialized in “acoustic sculpture.” His piece, “Whistlers 2,” sits in a small annex. The sculpture consists of four speakers that, when activated via a button by the guest, play whistling noises, and where the guest stands will determine how the guest interprets the sound. According to the artist statement, “This nearly immaterial work draws us more closely to our surroundings, heightening our awareness of our individual and collective places in the world.” Brewster passed away in 2016.

The literary lounge | © Juliet Bennett Rylah

Another room offers a literary lounge, where guests can grab a comic, book, script or magazine and read it while sitting on a series of brightly colored steps. Elsewhere, headphones enable visitors to listen to audio submissions, including a variety of music. 

In addition to viewing the works, guests are invited to participate. Several questions are posted throughout the exhibit, and guests may rip off a Post-it® note, jot down their opinion or memory, and leave it behind for others to read. 

LAMAG is open Thursdays through Mondays from noon to 5 p.m. Admission is free. COLA 20 is on display through Sunday, July 2, 2017.