Award-winning video artist Charles Atlas turns his lens on Australian-born artist Leigh Bowery. Is Bowery a performance artist or an avant-garde fashion designer or a 1980s London club scene icon? In reality, he revels in the rich, liminal space of being all of the above. Bowery’s influence is varied and sprawling; he was muse and model to acclaimed portrait painter Lucien Freud as well as planting aesthetic references for photographer David LaChappelle and even Lady Gaga to pick up years after his AIDS-related death in 1994. Bowery’s gender-bending and fashionable eccentricity were prescient predecessors to our current cultural moment. Friends and family provide commentary and context in this documentary, among them Boy George and Damien Hirst, and weigh in on Bowery’s eternal style.
Photographer Cindy Sherman is a master of disguise. That’s why the personal nature of this documentary is so appealing: it peels back the mask that is Sherman’s modus operandi. Paul Hasegawa-Overacker (a.k.a. Paul H-O) observes his relationship with Sherman, whose eventual mega-art-stardom overshadows Hasegawa-Overacker’s own meagre claims to fame, namely the 1980s public-access television show he hosted, Gallery Beat. Armed with wit and charm, Hasegawa-Overacker examines the art world of yesteryear through the demystifying, intimate lens of a sustained and up-close encounter with an art luminary.
The poster for this film shows Chinese conceptual artist Ai Weiwei giving the middle finger to his government, which, to make a long story short, is what takes place in Alison Klayman’s insightful documentary into the artist’s world. For Ai, art and activism are not mutually exclusive terms, as he goes head-to-head with the government’s repressive tactics at every turn through art and social media. Despite no small odds – Chinese authorities shutting down his blog, beating him up, bulldozing his studio, and holding him in secret detention – Ai continues to be a seminal voice for freedom of expression and human rights.
Making the jump from the street to the gallery may seem ordinary these days, what with street artists like Shepard Fairey, Retna, and Banksy being household names in the art world. But back in the 1980s, Jean-Michel Basquiat’s transition wasn’t as much of a given. In this film, documentarian (and Basquiat’s dear friend) Tamra Davis has revealing conversations with the artist in one of the only interviews he ever gave, about his gaining traction and fame, dealing with being black in a predominantly white art world, and befriending Andy Warhol. Zooming out, Davis balances the film with interviews and archival footage of important players in New York City’s downtown scene. The film is a thoughtful window into the artist’s life and art.
Robert Crumb is widely considered to be one of the best – if not the singular best – cartoonists in American history, giving life to notable characters like Fritz the Cat, Mr. Natural, and the Keep On Truckin’ strip, to name just a few of his contributions. For this film, director Terry Zwigoff (Ghost World, Art School Confidential) followed the underground comic hero for nearly a decade, interviewing the artist in addition to his friends, family, and contemporaries. What results is a deep examination of Crumb’s psychology and how it shaped his uniquely penetrating and enduring satire of American society.