Revd Robert Walker Skating On Duddingston Loch by Sir Henry Raeburn
Renowned for its unique composition and setting, Reverend Robert Walker Skating on Duddingston Loch or The Skating Minister by Scots portrait painter Sir Henry Raeburn features a lone skater performing a sophisticated pose on the loch near Arthur’s Seat. Since 1949, this oil painting, which was painted during the Scottish Enlightenment, has served as one of the most renowned Scottish paintings. Interestingly, 2005 saw an attribution conflict when an art curator suggested the artist was actually Frenchman Henri-Pierre Danloux, although the gallery director believes it is indeed Raeburn.
The Three Ages Of Man by Titian (Tiziano Vecellio)
Titian’s The Three Ages of Man is an allegory for the fleeting nature of life itself. Between a winged cupid and star-crossed lovers, in tandem with the church and old man pontificating over two skulls, there’s a lot to be said about the goings-on in this oil on canvas in The Scottish National Gallery .
The Virgin And Child (‘Bridgewater Madonna’) by Raphael
Although the majority of works by High Renaissance painter and architect Raphael are in the Vatican Palace, The Virgin And Child (‘Bridgewater Madonna’) adorns Edinburgh’s Scottish National Gallery. All eyes rest upon the naturalistic yet synchronized pose between Virgin and Child due to Raphael painting over the initial landscape background.
A Vase Of Flowers by Jean-Baptiste-Siméon Chardin
Art lover or not, it’s impossible not to marvel at the calculated restraint and mastery of simplicity demonstrated by 18th-century painter Chardin in one of his most renowned paintings. Housed in the Scottish National Gallery, this striking artwork is Chardin’s only surviving flower piece. The alluring nature of the light and meticulously balanced composition surrounding the flowers painted by this master of light is quite remarkable.
Robert Burns by Alexander Nasmyth
Housed in the fabulous Gothic revival Scottish National Portrait Gallery amidst a sea of famous Scots faces, is a rather captivating portrait of Scottish Bard Robert Burns. The work of Scottish landscape and portrait painter Alexander Nasmyth, this oil on canvas piece was bequeathed by Colonel William Burns in 1872.
The Family Of John Hay, 1st Marquess Tweeddale by Sir John Baptiste de Medina
Attributed to Flemish-Spanish portrait painter Sir John Baptiste de Medina, this painting of the family of John Hay, the 1st Marquess of Tweeddale and Lord High Chancellor of Scotland, portrays an intriguing glimpse into the personalities of his family members. The expressions on each face capture the moment, inviting the viewer to think what on earth was being discussed!
Princess Elizabeth And Princess Anne, Daughters of Charles, I, 1637 by Sir Anthony van Dyck
Out of the museum’s 3000 paintings and sculptures, in addition with the 25,000 prints and drawings and 38,000 photographs (yes, there are that many), this intimate portrait of Princesses Elizabeth and Anne shows a tender glimpse of them as infants. The glow radiating from the pearls and use of light upon the bunnet is all thanks to the artistic prowess of Flemish Baroque artist painter Sir Anthony van Dyck.
Landform by Charles Jencks
Landform by highly acclaimed American architect and architectural historian Charles Jencks is an unmissable visual tie between the buildings of Modern One and Modern Two. Through combining a mix of garden and land art and sculpture, Jencks provides some food for thought and a stunning precursor to the wondrous potion of works inside both galleries and also the maze of sculptural masterpieces — including the evocative ‘There Will Be No Miracles Here’ sign by Nathan Coley and Domino by Eduardo Paolozzi.
Tragic Form (Skate) 2014 by Ken Currie
The year 2016 saw the arrival of Tragic Form (Skate) 2014 by renowned Scottish artist Ken Currie, a most eye-opening piece and integral component of his artistic journey. This sizeable painting can be located in Modern One and certainly can’t be missed.
Vulcan by Eduardo Paolozzi
Made from welded steel between 1998 and 1999, Vulcan is an enormous, imposing sculpture by Scots sculptor Eduardo Paolozzi, of which the Scottish National Galleries hold many of his works. Vulcan, the Roman God of Fire and Blacksmith for weapons of war, is used by Paolozzi as an archetypal sculptor figure. This half machine, half man monument is a take on the modern era and sculptural narrative about current life and accompanying morals.