With unrest between Nationalist and Unionist citizens over the partition of Northern Ireland, which named the Republic of Ireland an independent state in 1921, with Northern Ireland under British control, violence erupted between some citizens who wanted to reunite with Ireland and citizens who preferred to remain under Britain. This violence continued until the 1980s. During the conflict, paramilitary groups, both Republicans (Nationalist) and Loyalists (Unionist), emerged, spreading violence across Northern Ireland, with almost 2,000 murals erected depicting these conflicts. Here is a look at some of the best murals in Belfast that illustrate this complicated history, and culture in this city.
The painting below is a Nationalist mural supporting Irish language teachings, inscribed with the title of the famous song ‘Labhair an teanga Gaeilge liom’ (meaning ‘Speak the Irish Language’).
A tribute that reads: ‘This mural is dedicated to the memory of those local Republican activists who devoted their lives to the cause of Irish freedom.’ The portraits of Hunger Strikers create a border around an American and Irish flag, with lilies used to symbolise the 1916 Rising in Dublin.
The mural on the Falls Road shows Ireland symbolised in an idyllic landscape escaping through the cracks of Northern Ireland.
This colourful mural depicts all the Hunger Strikers of the 1980s, including a larger image of Hunger Striker Kieran Doherty, who died in 1981.
Bobby Sands was a member of the paramilitary group the Irish Republican Army and a member of the UK parliament. He led the 1981 hunger strike and died in Prison Maze while on strike.
This mural celebrates the women of Andersonstown, who protested a 36-hour curfew imposed by British troops on the Falls Road by marching through the street and bringing food to those in the area.
African-American Frederick Douglas was a leader of the abolitionist movement, travelling to Ireland thereafter to become an advocate for the Irish Nationalist movement.
This mural attempts to draw a parallel between the Nationalist cause in Northern Ireland and Nelson Mandela’s anti-apartheid movement in South Africa, where he served as president of the country from 1994-1999. However, in recent years, the mural is understood as a symbol of peace and stability, in the aftermath of conflict.
This mural is a tribute to the loyalist and member of the Ulster Defence Association Jack Coulter, who was killed by a rival loyalist group, the Ulster Volunteer Force, in 2000.
A tribute to all branches of loyalist communities, including the UDA and UVF, together with their coat of arms.
This Unionist mural depicts a family being evacuated from their home by Republican paramilitary groups, with the news report on the left. The right hand side shows an empty newspaper symbolising an unknown future for Northern Ireland.
A colourful mural which illustrates the modern tradition of Unionism, from marching bands to Orange banners, which symbolise the Protestant religion, a popular religion within Unionist Northern Irish populations.
A mural which marks the beginning of Sandy Row, a predominantly Unionist residence area in Belfast.
King William III, colloquially known as William of Orange or ‘King Billy’ in Scotland and Northern Ireland, was a Protestant ruler. He waged wars against major Catholic rulers in the 17th century, which included the famous Bally of the Boyne in 1690, which is celebrated annually by Unionist communities.
This mural depicts the Irish myth of the ‘Red Hand of Ulster’, in which the next King of Ulster would be selected by a boat race – the first winner to place his hand on the rock would be crowned. Fearing he would lose the race, the mythical figure Labraid Lámh Dhearg cut his hand off and threw it on the rock.
Freedom 2000 shows the letter ‘H’ to represent Cell Block H of Prison Maze, which upon its closure in 2000 released several Unionist prisoners from paramilitary groups.
This mural caused controversy when it was revealed, showing a tribute to paramilitary member Stephen McKeag, who died in 2000.
A solidarity mural which shows all groups within the Northern Irish community looking toward the parliament building, Stormbound, which operates on Home Rule in Northern Ireland. The word ‘progress’ is used to symbolise a journey towards peace.
The ‘solidarity wall’ includes many modern artworks, including this recreation of Picasso’s Guernica to represent global struggle in our world.
Linen was the pinnacle of Northern Irish trade in the mid-19th century, with many women going into the trade since youth. A tribute to their contribution to Belfast trade and the Northern Irish economy, this mural in West Belfast depicts the female workers of Ross’s Mill.
This collage in East Belfast pays tribute to the RMS Titanic. Built in Belfast Harbour, it set sail in 1912 on its only voyage. The ‘Ship of Dreams’ made Belfast’s dock the major trading post that it is today, improving infrastructure and the workforce in the region now named Belfast’s Titanic Quarter.
In 1968, George Best was named European Footballer of the Year, on behalf of Manchester United, and remains a legend in Northern Ireland. This sporting star also has a city airport named after him and a collection of limited edition £5 notes printed with his portrait.