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The Artists To See at 1-54 Contemporary African Art Fair

Vigo Gallery at 1-54 Contemporary African Art Fair, 2018
Vigo Gallery at 1-54 Contemporary African Art Fair, 2018 | Freire Barnes / © Culture Trip
As 1-54 opens its sixth edition at Somerset House with 43 international galleries presenting over 130 contemporary artists from Africa and its diaspora, Culture Trip reveals the highlights.

Sethembile Msezane (b. 1991)

Despite her tender age, Cape Town-based artist Msezane has already made a name for herself on the South African art circuit with her multidisciplinary work that examines commemoration and mythmaking. On vintage mirrors – her mother was apparently obsessed by Victorian mirrors – the artist transfers her own self image onto the surface of the domestic furniture to comment on way women are revered differently in public and private space, and how African and colonial history are entwined.

Represented by Tyburn Gallery

Sethembile Msezane at 1-54 Contemporary African Art Fair, 2018 Freire Barnes / © Culture Trip

Hassan Hajjaj (b. 1961)

Influenced by his North African heritage and London’s reggae scene, the Moroccan-born artist creates wonderfully vibrant studio portraits that incorporate canned goods from his home continent. Living between both countries, Hajjaj’s work blends street culture through a high-fashion lens to celebrate individuality and challenge Western perceptions.

Represented by Vigo Gallery

Hassan Hajjaj, ‘Hindi Kahlo’, 2011 © Hassan Hajjaj / Courtesy of Vigo Gallery

Uche Okpa-Iroha (b. 1972)

Lagos and its complex social structure is the focus of many of the Nigerian-born artist’s photographic series. His Isolated series examines how the residents of Lagos communicate in unconventional ways with handwritten signs or fly-posters on street corners, alleyways and shops.

Represented by Retro Africa

From Uche Okpa-Iroha's ‘Isolated’ series © Uche Okpa-Iroha / Courtesy of Retro Africa

Larry Achiampong (b. 1984)

Born in London, Achiampong draws on his Ghanaian roots to explore cross-cultural and postcolonial identity. At 1-54 Ain’t No Place Like Home (2018) blurs the boundaries between religious and domestic space. It considers the connection of diasporic communities to their homeland while critiquing the use of European figures to represent Jesus in religious iconography present in African households.

Represented by Copperfield

From Larry Achiampong’s ‘Holy Cloud’ series, 2014 © Larry Achiampong / Courtesy of Copperfield

Dalila Dalléas Bouzar (b. 1974)

The Algerian artist focusses on origins and identity in her paintings and drawings. For the Dakar Biennale in Senegal she set up a studio on the street, inviting the public to sit for their portraits. The performative act intended to strip portraiture of its privileged connotations.

Dalila Dalléas Bouzar, ‘Lucien’, 2018 © Dalila Dalléas Bouzar

Malala Andrialavidrazana (b. 1971)

With her background in architecture, the Paris-based artist is interested in the evident barriers to cross-cultural interactions. Using an anthropological approach, her works explore global issues with exquisite meticulous detail.

Represented by 50 Golborne

Malala Andrialavidrazana, 'Figures 1856, Geologic Structure', 2018 Courtesy 50 Golborne

Ian Mwesiga (b. 1988)

The Ugandan artist investigates black portraiture in his current painting series, which encompasses work made in direct response to the colonial portrayals in the Uganda Museum. Mwesiga attempts to depict a modern, progressive Africa through his portraits that amalgamate photographic archives and imagined landscapes.

Represented by Circle Art Gallery

Ian Mwesiga, ‘Eve of Genesis’, 2018 © Ian Mwesiga / Courtesy of Circle Art Gallery

1-54 Contemporary African Art Fair is at Somerset House, Strand, London WC2R 1LA until Sunday, 7 October 2018. Ticketed entry.