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Torbjørn Rødland, Heiress with Dogs, 2014 | Courtesy of Galerie Rodolphe Janssen, Brussels
Torbjørn Rødland, Heiress with Dogs, 2014 | Courtesy of Galerie Rodolphe Janssen, Brussels

Who the Hell Is Torbjørn Rødland?

Picture of Freire Barnes
Art & Design Editor
Updated: 21 December 2017

Find out what’s in store for the world of culture in 2018.

In 2018, Norwegian artist Torbjørn Rødland will take over the galleries of the Bergen Kunsthall as the Bergen International Festival Artist. Here, we attempt to decipher his weird and wonderful photographs that have caused exalting ripples in the art world.

There’s a fine line between pleasure and distress in Torbjørn Rødland’s photographs. At once familiar and generic, yet disturbing and uncanny. The Norwegian photographer, who now works out of Los Angeles, has the ability to capture everyday moments or scenarios that are embedded with deeply troubling connotations. Yet he somehow manages to make the icky, the weird and the absurd conceptually appealing. The repulsive becomes attractive.

A photograph by Torbjørn Rødland of butterflies eating fruit

Torbjørn Rødland, Butterflies, 2007 | Courtesy of Burgen Kunsthall

There is no defining categorisation between Rødland‘s photographs, apart from the fact that you’re undoubtedly guaranteed to not know what you’ll get. Whether it’s capturing Paris Hilton adoringly staring at her handbag-sized dogs, a bare-chested, young man threateningly gripping an older, suited man or butterflies gorging on rotting fruit, Rødland doesn’t distinguish between his subjects when it comes to expressing his modus operandi –embracing double-edged allegories.

Gallery visitor looking at photographs by Torbjørn Rødland at Serpentine Sackler Gallery

Torbjørn Rødland, Installation view, ‘The Touch That Made You’ Serpentine Sackler Gallery, 2017 | Photo © 2017 Jerry Hardman-Jones

For his recent Serpentine Sackler Gallery exhibition, The Touch That Made You (that will tour the Fondazione Prada in Milan next year), a variety of his portraits, landscapes and still lives from the past two decades were displayed. Some photographs were clustered in seemingly incongruent groups – similar to the display techniques of Wolfgang Tillmans – others significantly separate, revealing his skill to disrupt our reading of the everyday with images that ‘keep you in the process of looking.’

A photograph by Torbjørn Rødland of oranges with human hair

Torbjørn Rødland, Trichotillomania, 2010 | Private Collection

Rødland has the ability to turn the visual language of popular culture on its head. A number of his works focus on the pursuit of pleasure, such as our indulgence and obsession with food. Produce like mouthwatering eclairs or crisp shiny apples are approached with a commercial photographic eye, ultimately fetishising the everyday edible object.

Yet when you look closely, you see that he’s always managed to infiltrate the subject with a disparate partner; embedded on top of the gooey chocolate glaze of the eclair are three false teeth implants. Suddenly the allure of the luxurious choux pastry is superseded by repulsion.

photograph by Torbjørn Rødland of ecclairs

Torbjørn Rødland, Crossed Confections, 2015 | Courtesy Galerie Eva Presenhuber

Teeth are a fixed fascination for Rødland. At Manifesta 11 in Zurich last year, he showed a series of images associated with teeth. From the Crossed Confections (2015) to fairly disturbing images of  people undergoing dental surgery in Intraoral no. 2 (2011) he explores how teeth have become ‘a symbol for intuitive fears and irrational anxieties.’ He worked closely with Dr. Danielle Heller Fontana, who prides herself on creating perfect smiles, and photographed as she performed implant procedures. The works were then shown simultaneously at Löwenbräukunst and the dentist’s practice, infusing the sterile surgery with the realities that put you in the dentist’s chair. 

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Torbjørn Rødland, Intraoral no. 2, 2011 | Photo © Manifesta 11/Wolfgang Traeger

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Torbjørn Rødland Installation view at Manifesta 11 | Photo © Manifesta 11/Wolfgang Traeger

Teeth also expose Rødland’s preoccupation with the body in general. His different forms of manipulation – from contorting limbs to sexualising flesh – simultaneously violate the body’s physicality and trigger the portrait format. He regularly uses viscous substances including paint or honey to lather and drip off his subjects, adding to the tactility of the work, so the photographs go beyond a 2D facsimile of what the lens captures.

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Torbjørn Rødland, Installation view at Berlin Biennale 2016 | Courtesy Galerie Eva Presenhuber

Psychologically fuelled, Rødland’s photographs bring opposites together; ice and fire, asymmetrical couples, luxury and tack. As the artist asserts, ‘I’m trying to push my photography towards something more spiritual, something more erotic.’

Laden with layers of symbolism that delve into the tension between reality and myth, and the fabricated and authentic, Rødland allows for a spattering of ambiguity that has uncertain intention and unexpected consequences. A guessing game of which we cannot look away from.

Photograph by Torbjørn Rødland of a girl going to eat an apple with coins in

Torbjørn Rødland, Apple, 2006 | Collection FRAC Nord Pas de Calais, France

Torbjørn Rødland: First Abduction Attempt and Other Photographs is currently on view at Eva Presenhuber, 39 Great Jones Street, New York until December 22, 2017.

The Touch That Made You will be at Fondazione Prada, Milan, Italy in 2018. 

Torbjørn Rødland will show new work at Bergen Kunsthall, Bergen, Norway from May 24, 2018 to August 12,