The Vasari Corridor, designed by Giorgio Vasari for the Medici family in the 16th century, runs along one side of Ponte Vecchio across the Arno River. Today few people know of its existence, even though its history is rather intricate. It was the Medici family that decided to build a covered corridor between the Uffizi gallery of art, where Cosimo de’ Medici worked, and Palazzo Pitti, where he lived. The corridor is 1.2-km long and extends to the public space of the city, which at the time of its use was controversial. Nowadays, it is home to an impressive collection of self-portraits by famous artists such as Rembrandt, Rubens, Velázquez, and many others. In order to reach it, you have to go through the Uffizi gallery.
Vasari Corridor, Piazza della Signoria, Florence, Italy, +39 055 238 8651
This museum houses one of the most impressive, old-fashioned anthropological and ethnological collections in Europe. It is a part of the Natural Science Museum of the University of Florence and is located in a beautiful, 16th-century building designed by Bernardo Buontalenti. The 18 rooms of the museum display fascinating evidence of human diversity in terms of cultural and religious practices, tools, clothing, artwork, musical instruments, and language. Some of the rooms host artifacts from minorities and cultures which you have probably never even heard of. Moreover, a separate space on the ground-floor is dedicated to a large collection on the diverse cultures of India, amassed during the multiple travels of a former director of the museum, the anthropologist Angelo De Gubernatis.
Museum of Anthropology and Ethnology, Via del Proconsolo 12, Florence, Italy, +39 055 239 6449
As late as during the 1960s and 1970s, the excavations conducted under the Florentine iconic Brunelleschi’s Cathedral Santa Maria del Fiore revealed the ruins of an original ancient church Santa Reparata, dating back to the times when Florence was a Roman colony. This (very well hidden) site shows you Florence before its dominant Renaissance era. The church’s patron, a young martyr from the 3rd century A.D., remains one of Florence’s patron saints to this day.
Cathedral Santa Maria del Fiore, Piazza San Giovanni
The French artist Clet Abraham decided to ‘enhance’ the traffic signs of Florence by modifying them in a beautiful and witty way. Clet Abraham moved to Italy over 20 years ago and did the same to the Florentine traffic signs as to the signs in various other European cities, such as Paris and Berlin. Even though some may perceive his pop art as vandalism, the material he uses is easily removable, so no real damage to the city’s transport or signposts has been done. You can also admire his art in his studio at Via Dell’Olmo 8r.
Clet Abraham Studio, 50125, Via dell’Olmo, 8, 50125 Firenze, Italy
Piazzale Michelangelo was not designed by Michelangelo himself, but by 19th century artist Giuseppe Poggi. It displays, however, a large number of copies of Michelangelo’s most acknowledged sculptures, such as David – hence the name of the place. In addition, there is a charming collection of love locks, probably inspired by the wonderful view of Florence and the Arno River that the piazzale offers.
If you need a quick change from culture to nature, pause during the walk to Piazzale Michelangelo and stop by the wonderful rose garden that offers an amazing view of the city. The garden was created by the same artist, Giuseppe Poggi, at the end of the 19th century. As a result of Florence’s twinning with Kyoto, the garden gained an additional part – a Japanese Shorai oasis. The garden is also decorated with 12 sculptures by contemporary Belgian artist Jean-Michel Folon.
Giardino delle rose, Viale Giuseppe Poggi 2, Florence, Italy
Loggia del Bigallo stands just next to the cathedral Santa Maria del Fiore, and therefore many tourists pass by it every day – but not many stop to admire it or to wonder what it was used for. This Gothic building from the 14th century was the venue for the Compagnia della Misericordia and served as a shelter for abandoned children and people whose houses were destroyed by the plague. Nowadays, the loggia has quite a different purpose – it hosts a collection of frescos, such as ‘Madonna of the Misericordia’ by Bernardo Daddi.
Loggia del Bigallo, Piazza del Duomo, Firenze, Italy