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About a year ago, this graffiti artist began to remove the swastikas he encountered in creative ways. Instead of simply etching them out, Omari converts them into adorable animals and cartoon images.
Omari himself is the owner of a paint shop. The inspiration for his efforts to eliminate the presence of swastikas in Berlin came when a man came into his shop asking to buy some spray paint. He explained to Omari that he was playing with his son and noticed the hateful symbol painted on a wall nearby. This man wanted to paint over the image but Omari wouldn’t let him.
Instead, Omari told the man to save his money, that he would use the supplies in the shop to do the job himself. He and another street artist arrived at the scene and within a few moments they were able to defuse this painful symbol by converting it into a mosquito. Word got out and once Omari started his crusade against the swastika, he noticed them more and more.
As his efforts grew, Omari ended up establishing Paintback, a campaign to dismantle the work of neo-Nazis by turning the swastikas into adorable pictures, effectively performing ‘street art alchemy’. One year later, Omari and 11 others operate the art collective and they have already turned more than 50 swastikas into animals, ranging from owls to rabbits to mosquitoes, daring to search places where neo-Nazis are known to congregate in order to do their work. Still, their efforts have always been legal and permissible, with state officials allowing Omari and his associates to bypass some of the usual bureaucracy that goes into getting permission to paint on public spaces.
With the help of social media, people across Germany have been inspired to carry out the work of this clever campaign. Omari hopes to show people that they can reclaim their environments from hatred, taking such matters into their own hands. Omari even teaches graffiti workshops through his own NGO, Die kulturellen Erben e.V. (The Cultural Heritage), to help mobilize forces against these slurs. The team has put together templates so that even the greatest novice can get involved.
The hateful iconography is hurtful to Omari, in particular, as the son of refugees from Lebanon. He explains, ‘I grew up in Berlin, and in the last 20 years there has been a lot of change. But now when all this right-wing hate comes back, I feel like nothing has changed’.
Yet, when prompted about the efforts of those involved in Paintback, he explained, ‘We take their ugly message and make something beautiful out of it’.