This Chinese Fashion Designer Favours Sculpture Over Wearability

Models present creations from the Fall/Winter 2018/19 Haute Couture collection by Guo Pei
Models present creations from the Fall/Winter 2018/19 Haute Couture collection by Guo Pei | © CAROLINE BLUMBERG/EPA-EFE/REX/Shutterstock

Chinese fashion designer Guo Pei is proving that elaborate design still has a place on the Paris Haute Couture runway.

Paris Haute Couture Fashion Week takes place at the beginning of July and it’s a chance for the world’s most elite designers to showcase hand-crafted works of art in the form of clothing. July’s event saw Dior and Chanel take a more wearable, modern approach than previously seen, but Chinese designer Guo Pei kept things traditionally elaborate with her architecture-inspired collection.

Photo by CAROLINE BLUMBERG/EPA-EFE/REX/Shutterstock (9735452ab) Fall/Winter 2018/19 Haute Couture collection by Chinese designer Guo Pei, Paris, France, 04 July 2018

Guo Pei is best known in the Western world as being the designer behind Rihanna’s 2015 Met Gala gown, complete with enormous fur-trimmed yellow cape comically dubbed ‘the omelette dress’. The theme of the event was China: Through The Looking Glass, and celebrities called upon Chinese haute couture designers to dress them for the red carpet. Pei’s work was also featured in the Metropolitan Museum’s exhibit alongside other Chinese haute couture designers, jewellery and Chinese art.

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Pei’s work is heavily inspired by architecture, and her autumn / winter 2019 collection referenced the Cité de l’Architecture, where the show was held. She said of her collection; ‘Very few designers have to dare to use their extreme designs to express themselves… [haute couture] doesn’t have to be wearable like ready-to-wear.’

Guo Pei show, Runway, Fall Winter 2018

Dresses were elaborate in silhouette, with cage-like skirts and headpieces adding directional flair to the more minimalist shapes in the line-up. These were works of art as opposed to items of clothing and the monochromatic colour palette allowed structure to remain in focus. Despite the schedule’s ever-more contemporary approach to couture, Pei proved that eccentricity still holds a place at this event.

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