Born in 1963 in Geraardebergen, East Flanders, Michaël Borremans studied photography and taught art in Ghent before his discovery of a love for painting and friendship with painter Jan Van Imschoot helped him break through as a professional artist. Nowadays he is famous for his unnerving, otherworldly oil paintings and slow-moving collections of film images. These tend to focus on figures or body parts whose almost lifelike air is subverted by unexpected features, such as the strange, shiny colouring that inexplicably covers the hands below. He also produces eerie landscapes. Since his first major solo exhibition in 2002 at the Zeno X Gallery in Antwerp (a gallery with whom he still maintains a strong association), Borremans’ reputation has spread with amazing rapidity; his work has been shown in over 10 countries as well as at several top venues in his native Belgium. He still lives and works in Ghent.
See Michaël Borremans’ work at SMAK, Citadelpark, Ghent, Belgium (www.smak.be), +32 9 240 76 01 or in the As Sweet As It Gets exhibition at Brussels’ Centre for Fine Arts, Rue Ravenstein 23, Brussels, Belgium, +32 2507 82
Born in 1956 in Saint-Trond, in the Limburg region of Flanders, Michel François is a well-established artist who works with a wide range of media. He has been a sculptor, painter, printer of posters and newspapers, film director and photographer during the course of his long career. His creations are particularly remarkable for their novel use of traditional materials; the bronze sculptures in the Instant Gratification series (2011-12), for example, are not the solid figures or shapes one might be tempted to imagine but delicate, snowflake-like structures achieved by splashing molten bronze on to a cold floor. He is also noted for his simplicity of approach, as illustrated in the sculpture below. His thematic interests are centred around the state of modern society. Having been selected alongside Ann Veronica Janssens to represent Belgium at the Venice Biennale (a very highly respected cultural institution) in 1999, he enjoys an excellent reputation both in his native country and abroad.
See Michel François’ work at the Musée des Beaux-Arts de Liège, Feronstrée 86, Liège, Belgium (www.beauxartsliege.be), +32 4 221 92 31
Another artist who prefers to work in monochrome, the photographer Dirk Braeckman has exhibited his thought-provoking pictures on three continents (Europe, Asia and North America). Early in his career, he focussed on portraits and self-portraits and developed an admirable reputation in this field, even being commissioned to portray Belgium’s King Albert II and Queen Paola in 2003. However, it is no secret Braeckman also painted during his studies. Photography, to him, is a tool rather than a goal in itself. Depicting impersonal subjects such as empty rooms, furniture or isolated body parts, his work remains highly subjective and autobiographical. The resulting life-sized series of pale-grey snapshots have fascinated art-lovers around the world with their minute level of detail and mysterious aura. He transcends by creating unique images; even so by appropriating his own oeuvre or existing works of art. And indeed some of these photos, notably C.O.-I.S.L.-94 (1994), have proved very popular indeed. Born in 1958 in Eeklo, East Flanders, he now lives and works in Ghent.
This Brussels-based mother-and-daughter duo, consisting of Marilène Coolens (born in 1953) and Lisa de Boeck (born in 1985), have worked under the name Memymom since 2004, but their artistic collaboration actually goes back to when Lisa was five. That was when they began their renowned portfolio of analogue photographs, The Umbilical Vein. The pictures depict the young Lisa in disconcertingly adult poses; she is shown wearing make-up and designer clothes, reading women’s magazines, sometimes in underwear or wrapped in a towel. To achieve the images, the self-taught Marilène encouraged Lisa to play ‘dress-up’ while she manipulated the camera. The duo have never confirmed whether this started as a game and grew in seriousness and scope, or whether it was conceived as a comment on the pressure today’s girls are under to look mature and attractive. In any case, they continue to produce striking photos of themselves, still suggesting themes of femininity and personal appearance.
From 5th until 28th September 2014, see Memymom’s work at de Schipperskapel, Komvest 38, Bruges, Belgium (www.schipperskapel.be), +32 495 12 74 37
Another very versatile artist who has produced photographs, paintings, drawings, sculptures, installations, videos and even literature (he is currently writing a play for Schauspiel Frankfurt), 1969-born Hans Op de Beeck has been working prolifically from his Brussels studio for over ten years. He is highly flexible in approach, producing works of all sizes and styles that aim to represent, as he puts it, ‘our laborious and problematic relationship with time, space and each other’. These have won him numerous awards, including the sought-after Prix Jeune Peinture Belge 2001 (‘Young Belgian Painters Award 2001’) and Prix Eugène Baie 2003-2005. His current interests lie in exploring the boundary between fiction and reality in our daily lives; he likes to refer to his works as ‘proposals’, or fictional suggestions that leave the viewer to decide how to relate them to the real world.
Ann Veronica’s Janssens‘ deceptively simple sculptures, videos and installations belie a serious commitment to exploring the way we experience architecture and our understanding of the spaces in which we live. Particularly known for her use of lighting effects and artificial mist, she creates intriguing spaces in which visitors find themselves immersed in an alternate reality, which they must sometimes simply wander through (as in Blue, red and yellow, 2001), and at other times interact with actively – perhaps most famously when she lent passers-by gleaming aluminium bicycles to try out in her 2001 Berlin exhibition, Bikes. Although born in Folkestone, UK, in 1956, she has spent her entire artistic career working from Brussels. She identifies closely with Belgium as a country, having represented it at several international exhibitions, including the Venice Biennale in 1999, the Sydney Biennale in 2012 and St.Petersburg’s Manifesta 10 in June-October 2014
Until 26th July 2014, see Ann Veronica Janssens’ work at Galerie Micheline Szwajecer, Regentschapsstraat 67, Brussels, Belgium (www.gms.be), +32 2 540 28 57
A poet and philosopher as well as a visual artist, Thierry de Cordier explores themes of identity and isolation in his work. His monochrome drawings, paintings and sculptures reflect the solitary existence he chose to lead as a young man, depicting turbulent landscapes and seascapes as well as occasional mysterious visions (for example in Grand Nada, 2007-2012). He was born in Ronse, East Flanders, in 1954 but now works in Ostend, producing regular exhibitions as well as representing Belgium abroad at institutions as prestigious as the Venice Biennale (1997 and 2013) and the Centre Pompidou in Paris (2007). He is also known for his Kapel van het Niets (‘Chapel of Nothing’), an innovative building he created in 2007 in the gardens of the Saint-Norbertus psychiatric hospital, Duffel, as a space for patients to meditate and relax.
See Thierry de Cordier’s work at SMAK, Citadelpark, Ghent, Belgium (www.smak.be), +32 9 240 76 01