You’re involved in an interesting array of fields — from law to landscaping. Could you tell us more about your journey into the art world and how you came to collecting art?
My art collection started by accident in London where I went to study art law. My lecturers were about lawyers who represented artists and their estates. These artists were often at the receiving end of a raw deal from a gallery. In addition, we dealt with disputes regarding authenticity of artworks, illegally exported artworks, stolen artifacts and Nazi-looted art. Sometimes, artists did not have money to pay legal fees and could only pay in kind – with their artistic works. Hence, my lecturers started amassing eclectic collections of art.
Being exposed to these eclectic collections of art quickly ignited an enthusiasm for art collecting. I started going to auction houses to learn and to look at art. I also worked in the Art and Cultural Property department in a London law firm where I dealt exclusively with art-related cases. The friends I made in the art houses and the art-related work cases I took on made me even more interested in art and collecting.
Your first art purchase was the rare Polaroids by Andy Warhol, which you displayed in Andy Warhol: Social Circus at Gilman Barracks in January. What drew you to Andy Warhol and buy the Polaroids by him?
It is often said that Warhol was a major force in the commercialization of art and the reproducibility of art. Through his Polaroids, Warhol collected a ‘visual diary’ that gave him, and now us, a glimpse into the fame and celebrity of 70’s and 80’s New York. This ‘visual diary’ was what intrigued me. I believe that his Polaroids are relevant and important works. These could very well be the first ‘selfies’, and as a collection, perhaps the first Instagram account.
I love Andy Warhol because he was a true visionary. He had tremendous foresight. He dabbled in things and styles that would ultimately become trends. Who knew that camouflage prints would take the fashion world by storm, ‘selfies’ would be the craze, or that people would be famous just for being famous?
I’ve read you describe Andy Warhol’s Polaroids as ‘the first Instagram account, the first selfies before the Internet was even formed.’ How do you feel about the instantaneous way we capture and share photos today? Is that antithetical to the culture of art?
I think art has always been a reflection of our times, of society. The advent of the internet, Instagram and ‘selfies’ would invariably leave these as subject matter open for artists to deal with. Fortunately or unfortunately, their output, as in the subject matter themselves, would become part of culture and of the culture of art (such as the Instagram appropriation works by artist Richard Prince).
What’s the most memorable experience you’ve had buying art so far?
For me, the pursuit is often more interesting than acquiring the actual artwork. A memorable experience would be bidding for a work by an American artist after seeing it come up for sale by a French auction house when we were living in Paris. Bidding in a French auction was a very interesting experience.
If you could have dinner with any artist in the world, living or dead, who would it be?
Oh my… It would, of course, be Andy Warhol himself!
What do you think of the arts in Singapore? How do they differ from the arts landscape abroad?
What a huge question! There is a lot to do in Singapore to promote an awareness for the arts, a respect for the arts, and arts education. This all has to be in place before we can have meaningful discourse. I am not saying that none of this is present, but that there is still a lot of ground to cover — this is one of the reasons why I started The Ryan Foundation.
What’s next for you? Are you planning any trips abroad for your next project or exhibition?
Yes – we have packed up the Singapore leg of Andy Warhol: Social Circus and are preparing for it to travel around the region! We would like to share this collection of Warhol’s work with the fantastic people in other Asian cities! I am very excited for this. We hope to be back from Singapore Art Week 2017 with a bigger, better show – with more works and more experiences!