Perhaps the most famous Singaporean designer, Benny Ong shot to fame in the 1970s for his elegant, high-fashion, evening wear and cocktail gowns. His list of high-profile clients includes the late Princess Diana, Queen Noor of Jordan and the Duchess of Kent. His lines are only available through sophisticated, upmarket stores, including Bergdorf Goodman and Saks Fifth Ave, both in Manhattan.
At the turn of the new millennium, Ong moved away from fashion, choosing instead to focus on contemporary art. His decision was influenced by the transience of fashion, frustrated with a situation he describes: ‘all that time and work you put into it is gone after a season’. Earlier in 2016, he exhibited some new art pieces inspired by the Laotian weavers he studied with over several trips to the country.
Today we had the opportunity to meet and share tea with one of the most amazing designers who is training and giving artistic breath to C.O.W(Council of Weavers) . He is quietly and painstakingly developing weaving and design skills for a group of less privileged women in Laos. He is famous for designing wardrobes for royalty and now chooses to bring new expression and complexity to woven designs and the art of weaving. He has used the dancing teacups in this beautiful hand dyed silk , organza and tapestry & supplementary weaving. Each piece of work has a unique history behind it #BennyOng #theartsprofessionals #singapore #weaving #peranakan #teacup #teatraining #teaart
Like so many artists, Priscilla Shunmugam was not originally planning to be a fashion designer. After finishing high school, she was accepted to read law at the National University of Singapore and worked as a lawyer for a few years until her year abroad in England, where she studied fashion and dressmaking. Her signature look is a modern take on the Cheongsam, a traditional Chinese garment. She launched her first collection, Orientalism, in December 2010 and just two years later was named Singapore Designer of the Year at the 2012 Elle awards.
Jo Soh’s original womenswear label, Hansel, was inspired by her Jack Russel Terrier, leading to playful patterns influenced by vintage trends like mod dresses. Her combination of flirty designs with clean, minimalist backgrounds turned the heads of fashionistas worldwide for twelve years. Eventually, she caught the eye of Laura Ashley and made the difficult decision to discontinue her own brand in favour of stepping into the role of Laura Ashley Asia’s Head of Fashion.
Hayden Ng is unique as being someone who followed their dreams from a young age. He started on his path towards becoming a Singaporean fashion designer at just 16 years old. Success soon followed for Ng as by 1987 he was designing clothes for Miss Singapore Universe, Marion Nicole Teo.
More recently, Hayden started the ASEAN Fashion Designers Showcase. Nearly thirty designers participated in the showcase themed, ‘Design is for Everyone’. Aimed at celebrating the diversity and iconic design elements of the different cultures within the ten member states of ASEAN.
Those dresses and gowns, displayed at library at orchard main window, as part of ASEAN Fashion Designers Showcase are now available exclusively at HAYDEN BOUTIQUE at SOHO 2 @ The Central. Call +65 62200882 or contact us here for an appointment. #AFDS #haydenng #lennyaudustin #yuna #khang #quocbinh #natachavan
Carolyn Kan’s move into the world of fashion came via the corporate world. Like many others, she was told at a young age to follow a path that would lead to a stable income and therefore a comfortable life. In 2008, she quit a high-stress, high-profile position as managing director at M&C Saatchi.
During what was meant to be a year-long absence from work, she hosted secret dinners, dabbled in importing champagne and traveled to Europe. It was in Italy that she met a silversmith and Kan’s life blossomed. In 2009, she launched her jewellery line, Carrie K. After modest beginnings (the label earned less than $20,000 in its first year), Kan has reached impressive heights with her brand, having just signed a deal with Disney for a year-lobg contract to design a series of jewellery, starting with Alice Through the Looking Glass.
7th on my favorite Asian designers list is Carolyn Kan of Carrie K. She was once a managing director of an international ad agency, and then one year she decided to take a year off and do the things she promised herself she'd do one day. She went to Florence, Italy and tried out a silversmithing workshop. There she was able to create her first ring and as people always say, the rest is history. What is so inspiring about her was jewellery and silversmithing was always on her mind, like if she wouldn't be in the advertising industry those two thinga would be what she would be doing. And although a bit late, she was still able to do it. Proof that, as long as you want it and you act on it, great things will happen. Carrie K. jewellery prouds itself in being an artisan crafted jewellery brand with pieces done by hand. And it is something to be proud of, the art of metalsmithing is not that popular anymore especially in this age of technology. It is hard, costly and it takes so much time. But I feel like this handmade craft gives the pieces spirit. And metalsmithing itself is an artform and it makes use of talent, something I really admire and appreciate when I see our own metalsmiths working. I am always at awe whenever I watch them work. Carrie K. goes for a playful twist with jewellery. Modern, contemporary playful, she had a collection once wherein it was a reflection of Jackson Pollack's works so it was all colorful paint splats. With jewellery like necklaces looking like it melted off your neck, earrings dripping off your ears, liquid looking bangles sliding down your wrists. It was fun, but still looked simple and well put together. Not too crazy but moderate. #carolynkan #carriek #jewelry #designer
First launched in 2013, Dzojchen (pronounced doh-jen) is inspired by Scott-Blackhall’s Singaporean and British roots. Her brand wants to consider the how these Eastern and Western cultures conflict with each other in a practical and philosophical realm. She wants to challenge her audience by creating fashion that lies on a series of paradoxes and is somehow simultaneously East and West, feminine and masculine, striking and subtle. This unique aesthetic has led the Dzojchen label to the runways of Paris, New York and Singapore Fashion Week.