airport_transferbarbathtubbusiness_facilitieschild_activitieschildcareconnecting_roomcribsfree_wifigymhot_tubinternetkitchennon_smokingpetpoolresturantski_in_outski_shuttleski_storagesmoking_areaspastar
Sign In
Daniel Postaer, Shanghai XXV, 2014 | © The artist
Daniel Postaer, Shanghai XXV, 2014 | © The artist
Save to wishlist

Daniel Postaer's 'Motherland' Series Captures a Burgeoning China

Picture of Freire Barnes
Art & Design Editor
Updated: 24 October 2017
Step into the world of contemporary China through the eyes of Chicago-born photographer, Daniel Postaer.

Classrooms devoid of students, shipping containers for as the far as the eye can see and symmetrical open-plan work stations punctuated by luscious green plants. Postaer’s photographic creations illustrate the many scenes of contemporary China. The photographer inherited his deep fascination for the country from his Shanghainese mother and has embarked on capturing the many facets of everyday activity.

Postaer’s large-format photographic series Motherland reveals his feelings towards a country he’s come to know through maternal memory and experience. His unstaged photographs are graphic in colour, intriguing in what they leave out and candid in their immediacy. Yet, for all their behind-the-scenes, voyeuristic access, we are ultimately kept at a distance.

Daniel Postaer, Beijing VII, 2015
Daniel Postaer, Beijing VII, 2015 | © the artist

Raised in Los Angeles, Postaer is captivated by the ‘unlikely urban theatre’ of cities and capturing, if but only momentarily, an encounter that is both real yet fictitious. Whether it’s a cursory glimpse of a solider in a regimented collective scenario or a lone individual living life through a VR headset, Postaer is exceptionally adept at tapping into the quotidian details.

Here, the photographer gives us some insight into the impetus and intention of his compelling series.

Daniel Postaer, Shanghai XVI, 2015
Daniel Postaer, Shanghai XVI, 2015 | © the artist

‘I often asked my mother what she missed most about China. She consistently responded with – “The food! Especially the corner noodle shop.” The photograph of the restaurant brings me closer to my imagined mother’s youth.’

Daniel Postaer, Shanghai XXV, 2014
Daniel Postaer, Shanghai XXV, 2014 | © The artist

‘This picture is of three levels of advertising agencies in Shanghai made from an adjacent rooftop late on a week night. Here, I’m very much staring at my former life and world. The piece is part self-reflection, part visual meditation of how we exist.’

Daniel Postaer, Shanghai XXIII, 2015
Daniel Postaer, Shanghai XXIII, 2015 | © the artist

‘Every year in China feels like five years. That’s how I felt when I worked here in my former career. And that’s how time still feels when I move through these Urban China streets. The Shanghainese often lament that “their city is sinking” because of the constant, never-ending construction. The backdrop here changes significantly by the week. The pulse of that change continues to feel both historically overwhelming, and some kind of chaotic wonderful.’

Daniel Postaer, Beijing VIII, 2015
Daniel Postaer, Beijing VIII, 2015 | © the artist
Daniel Postaer, Chongqing II, 2015
Daniel Postaer, Chongqing II, 2015 | © the artist
Daniel Postaer, Beijing XVIII, 2014
Daniel Postaer, Beijing XVIII, 2014 | © the artist
Daniel Postaer, Shanghai XV, 2016
Daniel Postaer, Shanghai XV, 2016 | © the artist
Daniel Postaer, Shanghai XXII, 2016
Daniel Postaer, Shanghai XXII, 2016 | © the artist

Want to learn more about China’s burgeoning art scene? Read our: Quick Guide to China’s Two Art Capitals, Shanghai and Beijing