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Al Piaro’s discovery of the camera at a young age led her to her journey of recording the world as she sees it. As she put it, ‘I will always mentally paint when I look at the world.’ Nevertheless, the discovery of the camera at a young age quickly eclipsed all dreams of working with paintbrush and canvas.
It was the Nile Basin in Egypt that led Al Piaro to start her journey of camera and light; a path that proved both challenging and rewarding, as she chose to venture out of her comfort zone to a territory that at the time was consumed by the civil unrest of the Arab Spring.
Al Piaro’s influences are not only visual. ‘I am influenced by the worlds and words of the writer, the scientist or the philosopher as much as that of the visual artist whose narratives both personally and professionally have lit up the present creatively.’
Al Piaro has always been interested in the concept of immersion in a place and peoples as a visual artist; normally the activity of the anthropologist or scientist. Her main interest is focusing on sacred spaces that are in danger of disappearing: rivers, sacred waters and sources of life that may cease to exist in the future.
‘Al Ara-wah’ is one of her latest installations that was created on the Nile and translates literally as ‘The Spirits’; the work is about transcendence. This is visual narrative installation piece of five photographic prints. ‘Al Ara-wah’ speaks of the evolution of the spirit on the sacred crossing points of the Nile. The pieces were all created during and as an antidote to the unrest being witnessed and are representative of the going beyond this narrative spiritually.
Starting in 2015, there has been an effort to hold auction events presenting the artwork to raise awareness of Nile Heritage projects that interconnect humanitarian and environmental narratives on the waters.
For more information visit Al Piaro’s website.