The Josephine Baker Biography: Story Of A Dancer

Baker was born in St. Louis, Missouri, in 1906 to Carrie McDonald, a washerwoman and Eddie Carson, a vaudeville drummer. From a young age shetook up domestic work for white families in St. Louis, but by 14 was already taking to the stage. She toured the US with The Dixie Steppers in 1919, and garnered a reputation as an excellent chorus girl, whose dancing ability and comic expression were equally matched. But it was Paris, not the US, where Baker would become a star. When she travelled to Paris in 1925, aged 19, she found that racial segregation, which was part of everyday life in the US, was not the case in France. What had held her back in her fatherland, making her unable to perform to mixed audiences, did not exist in France. She quickly found a different life in Paris, where hotels, restaurants and entertainment venues weren’t segregated, and it was here that she truly made her name, and indeed her home.
Baker opened in La Revue Nègre in Paris, and was an instant success. Her erotic and exotic style of dancing wowed the audience, kick-starting her incredible career. When La Revue Nègre closed, Baker went on to star in La Folie du Jour at the Folies Bergère. It was here that her banana dance first captured the imagination of Parisian audiences, and has since come to encapsulate Baker and her exotic appeal. Baker emerged on the stage of the Folies Bergère scantily clad in a skirt of made of artificial bananas. The image was immortalized in Paul Colin’s poster, and has been reproduced many times since then. The V&A Museum in London, for example, holds a remarkable statue of Baker in her dress, created by Fritz Lampl around 1930. In more recent culture, Baker and her banana dress continue to be brought to life, appearing in multiple films and cultural productions, including Sylvain Chomet’s Les Triplettes de Bellville, where she takes to the stage alongside the triplets of his story.
Away from the stage, Baker became the first African-American woman to star in an international film, La Sirene de Tropiques, and continued her entertainment career with recordings, firmly placing her as an all-round entertainer, who would later go on to perform sell out shows at New York’s Carnegie Hall. Baker was also something of a businesswoman, setting up her own nightclub, Chez Josephine, in Paris in 1926. Her talents, and Paris’s love for her went well beyond the banana dress that made her so famous.

Baker also had a remarkable personal life, which saw her marry four times, have affairs with both men and women, and raise a family of orphans. Remaining fairly open about her lovers, she is recognized by many as a bisexual icon. As a mother, she adopted twelve orphaned children, which she called her Rainbow Tribe; they all came from a mix of ethnic backgrounds, and Baker described them as a ‘symbol of true brotherhood’: regardless of their race, they composed a unit, a family. In her personal life, Baker transcended boundaries of race and love just as she did in her professional and political life.
At her death in 1975, Baker became the first American woman to be buried with full military honors in France, with a 21-gun salute – a fitting tribute to her relationship with the country in which she had built her career and life. Baker is, to this day, remembered as a remarkable woman, who had a lasting impact on culture and society, and who continues to capture the public imagination today.
By Claire Hayward