La Casa Azul: The Life of Artist Frida Kahlo

Frida Kahlo was a righteous, vivid and brilliant painter whose eventful life is today documented and celebrated in her old family home, which was converted into a museum by her late husband, Diego Rivera. Throughout her life, she was surrounded by influential social and political figures; her husband for example was one of the important muralists of the time, and the two of them were active in the Communist party.

From a young age, Kahlo presented herself as strong-minded, disagreeing frequently with peers at her school, in which she was one of only 30 female students. A revolutionary, she was known for her good humor, tequila drinking, and warm nature. She met her husband, Diego Rivera, in the mid 1920s, when they became friends and colleagues. They married in 1929. Their marriage was long and loving, and following their separation and the creation of Kahlo’s largest painting, The Two Fridas (1939), they remarried at the end of 1940.

Frida Kahlo was born in La Casa Azul and died here, in one of the upstairs corner rooms. The works of art and items on display at the museum give an intimate look into her life, tumultuous marriage and family. The museum contains many of Kahlo’s paintings, as well as works by other artists from her personal collection. Presenting Frida Kahlo as a person, and as a much loved and revered artist, the house is maintained in a similar fashion to how it was kept in the 1950s. In addition to her personal works it contains folk art, personal items, photographs, memorabilia and other interesting artefacts and items such as the small portrait of Rivera that Kahlo used to carry around with her.
The architecture is interesting as it was originally created in 1904 in a French style, but was adapted by Rivera and Kahlo in 1941 – following the death of Kahlo’s father – to have a bigger garden and brighter colours such as the blue painted walls which can be seen today. The house was donated and opened as a museum in 1958 by Rivera, and consists of 10 rooms over two floors. No photographs are allowed to be taken within the building, but are permitted outside, for example in the stunning patio and courtyard, which also shows evidence of Kahlo’s life. Decorated with wild and colourful flowers, Mexican art and ‘Judases’ line the brightly painted courtyard.
Mexico in the early 20th century was an important place politically, following the revolution and the fall of the dictatorship in 1910, the country was hurled into social upheaval, struggle and warfare for the next seven years. Art was a political act, and many of the main artists were muralists including Rivera. Wall paintings were made with the belief that art was for the people, the people’s property. Kahlo was influenced by travel; in 1931 she went with Rivera to New York for his exhibition at the then new museum, the Museum of Modern Art. It was during this time when Rivera painted the famous Rockefeller lobby, which pictured Nelson Rockefeller next to a portrait of Vladmir Lenin, a Russian Communist and revolutionary. After Rivera refused to change the work, it was ripped down.

Kahlo was also influenced by the news, often choosing stories that portrayed the pain she felt from her personal experiences. For example, A Few Little Nips (1935) is thought to be a portrayal of a famous news headline of the time about a husband who had stabbed his wife 22 times and reflects Kahlo’s pain of discovering that her husband and sister had a sexual relationship. Brutally vivid works such as this are representative of Kahlo’s expressive style, and her imagination captured the gazes of many. Although not fitting in with the Mexican muralism art ‘of the people’, Kahlo’s works on canvas spoke to people in a way that other typical political pieces did not. It carried the message that most people can cope with more pain than they think, and there is a common perception by people that they are alone in suffering.

Kahlo’s life was tragic and full of agonies, both physical and mental. She survived polio at the age of six, and at 18 she was in a terrible accident that severely damaged her body to such an extent that most doctors thought she would never walk again. During the extensive amount of time she spent bedridden, she would draw and later began to paint, following the purchase of an easel and paints provided by her parents. Permanently in and out of hospital due to having bones reset and further operations intended to help her body heal, she felt physical pain her entire life, and her works were often reflective of this. Broken Column (1943) shows the artist bare breasted, wearing her metal brace, with her face and body covered in pins.

The accident caused her to have problems having children, and although she fell pregnant three times, she never had children. The distress this brought is portrayed in several of her paintings, one of the most shocking of which is Henry Ford Hospital (1932). Created following her second miscarriage, this painting illustrates her knowledge of medicine, which she had studied prior to her accident. In 1953, she had her first art exhibition in her home country of Mexico, and this would be the only exhibition in her lifetime, as she passed away at the age of 47 in 1954.
Today, the Frida Kahlo Museum is one of the most visited museums in Mexico City, as thousands flock there every year to take a look into the extraordinary life of one of the most celebrated artists of all time. Wherever she went, her presence was felt, and even in death during her cremation ceremony, observers claimed to see her smile slightly as her last wish to have her body burned was granted. The final entry into her diary read:
‘I hope the end is joyful – and I hope never to return’ – Frida.